Back in 2013, I celebrated a decade of blogging with an awards ceremony. One of the winners of those awards - voted for by this blog's readers and my social media followers - was the incomparable Lolo Brow. In the five years since then, Lolo has: produced Cabaret Derangium; terrified audiences with her toxic masculinity... Continue Reading →
When the Sheffield musical Everybody's Talking About Jamie made the leap to London's West End in November last year, a television show from 2011 reappeared on BBC iPlayer. Jamie: Drag Queen at 16 was a surprisingly non-judgemental BBC Three documentary which followed a working class teenage boy from the north east of England who wanted... Continue Reading →
I've been trying to write this post for months, but two things inspired me to finally finish it: a recent article by Frankie Graddon for The Pool on garments with annoying cut-aways, and the announcement of the line up for RuPaul's Drag Race: All-Stars season 3. Here's the reason why I turn to drag queens... Continue Reading →
Since 2011 I have been publishing an annual list of people who have had positive impact on me in the previous 12 months and therefore, in my opinion, deserve an award for their greatness. These are the super humans who have shaped my life and brought me joy and inspiration - I want to thank... Continue Reading →
When it comes to fashion and beauty, I am a huge fan of glamour. While some may call it superficial, I really couldn't care less for that attitude as glamour is far more about equal opportunities than most aspects of the fashion industry. You can be any age or body shape, with far from model-like... Continue Reading →
When I heard about the latest Familyyy Fierce event, via Rarely Wears Lipstick columnist Rubyyy Jones, I knew I simply had to go along. Sadly, my diary was not my friend on this occasion and I couldn't make it, so I got in touch with one of the most fierce femmes I know to ask... Continue Reading →
Part 5 of a 6-part series on aspects of fashion theory, specifically cultural studies and object analysis. Written partly to reassure myself that I do understand the concepts and partly to help clarify things for others, this post is based on notes I took during a lecture at London College of Fashion by Dr Agnès... Continue Reading →
If there's a theme running through Boylexe's show, it's that of performance itself. Boylexe makes the act of performance - performing burlesque on stage, as they are; performing gender and masculinity in particular - stand apparent and revealed. "Look at me!" commands Randolph Hott in one act, inviting us to not just stare at his... Continue Reading →